A creative explosion in design and art lit up the s. The Jazz Age explores the dynamic changes in American taste and lifestyles during this period through a broad range of furniture, jewelry, fashion, textiles, decorative arts, and architecture, as well as art, film, and music. The influences that fueled this burst of innovation, exoticism, and modernity were manifold and flowed back and forth across the Atlantic. Jazz music, a uniquely American art form that sprang from African American musicians who preserved and improvised on its historic roots, also found a ready audience in Europe. At home, new modes of transportation and the development of industrial design with its impact on consumer products and the interior profoundly shaped American taste. Equally exciting and important as these influences were the rapid growth of American cities and architecture—most notably the soaring American skyscraper—which awed Americans and Europeans alike and inspired unprecedented dynamic forms in design.
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- 1300–1400 in European fashion
- Glossary of the Fur Trade
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- Proudly Serving St.Louis With the Finest Furs
- O. Reg. 175/98: GENERAL
- Trade Mark Journal No.2019/027 5 July 2019
- Ww2 German Hat
- Trade Mark Journal No.2019/018 3 May 2019
- Client Industries
- Ww2 German Hat
1300–1400 in European fashionVIDEO ON THE TOPIC: FUR COAT RED FOX HOODIE. Sale fur jackets collars cape blanked hats fox mink. Sell shop Fursberry
A creative explosion in design and art lit up the s. The Jazz Age explores the dynamic changes in American taste and lifestyles during this period through a broad range of furniture, jewelry, fashion, textiles, decorative arts, and architecture, as well as art, film, and music.
The influences that fueled this burst of innovation, exoticism, and modernity were manifold and flowed back and forth across the Atlantic. Jazz music, a uniquely American art form that sprang from African American musicians who preserved and improvised on its historic roots, also found a ready audience in Europe. At home, new modes of transportation and the development of industrial design with its impact on consumer products and the interior profoundly shaped American taste. Equally exciting and important as these influences were the rapid growth of American cities and architecture—most notably the soaring American skyscraper—which awed Americans and Europeans alike and inspired unprecedented dynamic forms in design.
New freedoms abounded. Women gained the right to vote in and enjoyed more independence, bending traditional social rules of decorum and engaging in new professions such as interior design. This freer spirit also appeared in art and design through vibrant colors, bold geometric forms, and the use of new materials and experimental production methods.
An American government committee selected objects from the exposition, many for sale, to tour US museums in Department stores followed suit with exhibitions of imported modern design. Other influences came through the immigration of trained designers, particularly from Vienna and Berlin, to the US. These designers brought new aesthetics and an interest in industrial design that they combined with a fascination with American skyscrapers.
The interaction of European-trained and American-born designers created new energy and a style that might be called "melting-pot modern. Agnes Miles Carpenter admired the Lobmeyr glass at the Paris Exposition and placed an order for a commission with the firm in Vienna. These life-sized designs were sent to Carpenter in New York as part of the commission, which included glassware by Oswald Haerdtl.
The tall glass is on display in the case nearby. This drawing of 8 Ambassador-pattern vessels is carefully composed to illustrate that the pieces are intended as a set, ranging from water glasses to finger bowls and candlesticks.
With its stylized figures, well-groomed animals, and tropical flora, this wallpaper conveys the patterned surfaces and curved forms frequently used in Groult's interiors and furnishings. Hand-hammered marks from raising the bowl from a sheet of silver create a contemporary feel while simultaneously reflecting classical aesthetics. Jean-Michel Frank liked to mix surface textures—an aesthetic he conveyed to Eyre de Lanux—such as the use of shagreen sharkskin for this desk while other pieces from the same commission were covered in straw, leather, and parchment.
It displays a whimsy combined with elements of Italian traditional design. Both this bowl and necklace feature a row of parakeets.
He finished his work to a high quality standard, employing polishing and wheel-carving to enhance the sophistication of his molded and pressed designs. In years following, the fountain remained a popular motif, evoked here in a series of graduated curls. This vase, here accented with black enamel, represented a new vision and technique in decorative glass.
She used standing lamps with feathery molded glass shades by the Italian-born French designer Marius-Ernest Sabino, whose lamps also decorated the Ile de France ocean liner. Drapery wallpapers typically imitated lush silk velvets or satins with deep swags and dramatic shadow effects. This rather unusual drapery is rendered in a minimal style with a flattened perspective. The resulting tapestry, one of a set of three made of silk batik, measured over eleven by nine feet in size.
In Donald Deskey was commissioned by Saks Fifth Avenue to decorate its show windows and contribute to its graphic identity. His display schemes were notable for their mixing of materials such as cork, metal, and corrugated steel. Deskey used a similar approach for the apartment of Saks president Adam Gimbel, who introduced him to designer Paul Frankl.
This lamp mixes sharp angles with graceful curves in steps of different shades of metal and can be used as a wall light. Named after a Trojan War hero, the Diomedes pattern was available in these two colorways during the time of its production from to Joseph Urban, born and trained in Austria, brought color, fantasy, and new lighting effects to his projects as opera and theater designer, architect, decorator, and illustrator. In Vogue described the Roof Garden at the Hotel Gibson as "decorated with delightful fantasy by Joseph Urban," with flowery walls and peacocks adorning the columns.
The wallpaper features Peche's distinctive blade-like leaf and petal forms and shows an interest in the Rococo and Baroque, characteristics also seen in the designer's silver vase nearby. American manufacturer F. This textile pattern features Diana, Roman goddess of the hunt, whose leaping gazelle was a recurring motif of the Paris Exposition.
Lobmeyr, produced rock crystal—like forms by a complicated modeling process throughout her career. This glass bowl was one of the centerpieces of the Lobmeyr display in the Austrian pavilion at the Paris Exposition. The strong patterning on this matched set of wallpaper and border combines hard and soft shapes, along with dark and light colors.
The radiating lines with accentuated angles recall not only fashion designs such as the dress retailed by B. Altman nearby, but also the Sunray patterns popular in textiles and metalwork, as seen upstairs.
From on, Georg Jensen had a New York shop promoting his simple, elegant forms. Featured in American museum and department store exhibitions during the s, this model of bowl continued to be made for decades. Delaunay worked simultaneously across media and viewed her designs for clothing and textiles as an extension of her artistic practice.
On trips to Vienna, Munich, and Paris in the late s, Lois and William Katzenbach saw modern wallpapers for the first time and were inspired to start their own wallpaper firm in New York in These four pages are from the sample book European Papers: Modern Designs, released in the company's first year of business. Presented at the Mostra delle Arti Decorative di Monza in , this series shows how Bellotto transformed the look of antique Roman glass into a modern one using geometric forms. French architect and designer Pierre Chareau was one of the most ardent proponents of open-plan interiors and a vocabulary of forms that could be used in a variety of settings.
Similar to a stool he had designed for the Grand Hotel de Tours, this table represents a breakthrough in small furniture designed for modern living. Designed for the Barbizon-Plaza Art Music Residence Center, this modern design for a chandelier suited the multifunctional building. Built as both a hotel and music-art residence center, its original design included two auditoriums, artist studios, multiple exhibition spaces, and 1, guest rooms.
John Cotton Dana, director of the Newark Museum, was first among museum directors to launch, in , a series of exhibitions of modern European design. The smooth surface and handcrafted look of Danish silver appealed to traditionalists and modernists alike.
The form of this bowl is similar to designs for Japanese plume fans and Chinese-influenced silver by the Kalo Shops of Chicago. Zimmermann may have studied Tang dynasty footed metal dishes before creating this form, reduced to three lobes painted in a strong blue color that gives it a modern look while referencing the color of Chinese kingfisher feathers.
During the s, wild animals were popular motifs throughout the decorative arts, as evidenced by the gazelles seen on this vase. Steuben also was influenced by Austrian and Swedish glass exhibited in the Paris Exposition. Silver by Jean Puiforcat, also included in many museum and department store exhibitions, was among the fashionable items in the gifts department at Saks Fifth Avenue soon after the Paris Exposition. His use of faceted and globular forms influenced makers in silver and other media into the s.
Bakst arrived in the United States in through the patronage of Mrs. John Garrett of Baltimore, whose husband was ambassador to France.
Artists and firms working in traditional techniques such as glazed porcelain looked to new styles to attract new clients. An example of this figurine featured in the International Exhibition of Ceramic Art, sponsored by the American Federation of Arts, which traveled to major American museums. According to the catalogue, the exhibition aimed to show "the American public, the manufacturer, and the designer what is being done in the medium of baked clay in various European countries and America.
They were purchased at the fair by Mr. John D. Rockefeller Jr. Schreckengost won a special prize for Outstanding Excellence in Pottery when this vase was shown there in Although Viktor Schreckengost was exposed to new ideas in Vienna through the teaching of Michael Powolny and others, the exhibition and acquisition of this sculpture, Das Wasser, by the Cleveland Museum of Art before his departure in reveals that he already had some exposure to Viennese portrait design in Cleveland.
Swedish decorative glass, especially that of Orrefors, was promoted through both museum and commercial exhibitions in the s, including the selections from the Paris Exposition. Designs that featured elements of Japanese styling within a European context extended to jewelry.
In this ring, multicolored stones bring Western techniques to Japanese motifs such as a pagoda. The updated neoclassical designs of Gio Ponti revolutionized the look of the Richard-Ginori firm during his time as its chief designer, from to His whimsical forms and irreverent decoration helped propel the Italian ceramic factory to a first prize at the Paris Exposition.
With harlequin figures in floral bowers, these mural panels epitomize the interest in color and fantasy that Joseph Urban brought to his opera, theater, and film designs.
Horst P. While predominantly known for its use of colorful precious stones, Mauboussin also used the geometric forms found in other design disciplines. This necklace of about features diamond-decorated globe forms and was sold in New York, where Mauboussin had a shop for two years leading up to the stock market crash. This brooch by Mauboussin features a large aquamarine as its central element, unusual in Made in the year of the Paris Exposition, it may have been purchased there by an American.
Geometry and color with cabochon gems suggesting bubbles feature prominently in this exceptional bracelet by Boucheron shown at the Paris Exposition. Soon his work included jewelry, furniture, glass, graphic design, and more.
The Metropolitan Museum of Art acquired it within a year of the exposition. For the Paris Exposition, Maison Bertrand produced a silk fabric with large-scale embroidered chrysanthemums that resemble tumbling fireworks displays.
The s witnessed the introduction of formfitting modern bathing suits. This knitted tubular silhouette, with a scoop-necked sleeveless top sewn into a pair of trunks, was worn by men and women.
Often available in bright colors, this casual design was known as the "California-style" suit. This monumental wrought-iron console and mirror won top prize at the May Show at the Cleveland Museum of Art, though it remained unsold in the Rose Iron Works studio as the Depression took hold.
This wrought-iron table lamp, probably by Hungarian metalsmith Paul Kiss who worked in Paris during the s, shows influence of earlier Viennese design. The lamp was purchased around by Rose Iron Works in Cleveland as inspiration for its new turn toward modernist design. Featuring a stylized figure of entertainer Josephine Baker, based loosely on widely publicized photos of her dancing nude on the Parisian stage, this screen is a tour de force of the melding of accessible modernist design elements with the technique of master craftsmen.
Former Ohio governor Myron T. Herrick, United States ambassador to France from to and again from to , vigorously advocated for US participation in the Paris exposition. He was instrumental in persuading President Hoover to establish a commission of important figures in the design world to visit the fair and report on the exhibits.
As with many older French manufactories, designers at the helm of the Gobelins tapestry looms wished to update their traditional lines after the First World War.
After hip-replacement surgery last summer, her doctor told her to take it easy. But by fall, Donna Salyers was back at work as president of Fabulous-Furs. The year-old packed a dozen faux-fur coats and a folding metal clothing rack into her Lexus ES and drove to the Cincinnati Airport Marriott hotel in Hebron. There, she fitted them on models and moderated a fashion show for guests, part of a charity luncheon to benefit St.
Glossary of the Fur Trade
For more information, please go to our FAQ page. Patterns for crochet edging, numbered from to Short explanation of stitches on inside cover. Prix : 3 Francs.
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We provide exact reproduction German Empire,ww1,ww2 German Empire,Third empire, german visor cap for reenactors. Therefore more than one identification may appear for some codes. Soviet WW2 reproduction enlisted ranks winter hats. Tan wool fabric with Dark Brown fur. We currently sell two types, the Superior version and the Museum quality version.
To make it easier for teachers and lecturers to access the most popular material with groups, we have developed themed Study Room resources which contain original prints and drawings. The status of women in Britain changed dramatically over this period. Largely as a result of campaigning by the Suffragettes, women won the right to vote in parliamentary elections - a limited measure allowed some women to vote in , and in all women over 21 got the vote. There were other changes too, linked to World War I —18 and its aftermath, and to Britain's economy. Women's lives were also affected by social legislation, such as the introduction of a widow's pension in , and the provision of social services designed to support the welfare of women and children. As they gained independence, women were increasingly targeted directly by advertisers selling everything from convenience foods and clothing to cars and cigarettes. Fashions changed too, from the constricting corsetry and floor-sweeping skirts of the Edwardian period to styles which were lighter, less structured, and more comfortable and practical. Advertising imagery and packaging can reveal a great deal about lifestyles.
Proudly Serving St.Louis With the Finest Furs
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By Lisa Hix — March 7th, At New York Fashion Week last month, this extravagant, expensive material was so abundant , it might have been everyday wool. Not just seen on coats, jackets, and stoles, designers fashioned furs into skirts, oversize mittens, dresses, blouses, and even hoodies. Most of the top designers, including Ralph Lauren, Calvin Klein, and Marc Jacobs, showed real fur in some form on the runway. The same can be said for fashion. You can see it as a voyeuristic experience. Eighty-five percent of animals killed in the fur industry come from fur farms—dismal places where foxes, rabbits, minks, chinchilla, and other animals spend their entire short lives in these tiny, filthy metal cages. Courtesy of Bustown Modern. For fashionistas who love both animals and wearing fur, going vintage seems like a simple solution. But according to Griffin, vintage fur is actually to blame for the renewed appetite for fur fashions. By the late s, their sometimes-controversial campaigns, featuring celebrities like Pamela Anderson and Alicia Silverstone, succeeded in creating public distaste for furs, so that they no longer appeared on fashion runways.
O. Reg. 175/98: GENERAL
Aboriginal: In general, the original inhabitants of a territory. In North America, aboriginal refers to the people living here before the arrival of Europeans, including Inuit and First Nation peoples. The first European newcomers called aboriginal peoples "Indians" because they believed that they had reached India. See also Native and First Nations. They imported necessary goods from England and stored them in Montreal warehouses. They hired clerks and voyageurs to package and forward these trade goods to trading posts, via the rendezvous at Fort William. Generally, three or more of the agents would make the journey themselves to Fort William to meet with the company's Wintering Partners and conduct NWC business in the Council House. Agret: A collection of materials used by voyageurs en route to make repairs to the canoe and to furnish their camp. According to Alexander Mackenzie, the standard agret consisted of: "two oil-cloths to cover the goods, a sail, etc. Agriculture: The science or art of cultivating the soil, producing crops, and raising livestock.
Trade Mark Journal No.2019/027 5 July 2019
Grace's Guide is the leading source of historical information on industry and manufacturing in Britain. This web publication contains , pages of information and , images on early companies, their products and the people who designed and built them. Note: This is a sub-section of Who's Who in Business. Hours of Business: 9 a. Established in by Albert Haacke. Continued by C.
Ww2 German Hat
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the midth century marks the emergence of recognizable " fashion " in clothing,  in which Fernand Braudel concurs. Also, the use of lacing and buttons allowed a more snug fit to clothing.
Trade Mark Journal No.2019/018 3 May 2019
Canton Fair China Import and Export Fair is the largest trade fair with the largest scale, the most complete exhibit variety, the broadest distribution of overseas buyers and the greatest business turnover held in Guangzhou China. It is a perfect integration of human and ecological concerns and high technology. What city is Canton Fair?
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Ww2 German Hat
Это ты, приятель? - Он почувствовал, как рука незнакомца проскользнула к его бумажнику, чуть ослабив хватку. - Эдди! - крикнул. - Хватит валять дурака.