Developing the proper dress code for employees in warehouse, industrial, and manufacturing positions requires certain considerations. Because their jobs may involve physical labor or working in a dangerous environment, workers require comfortable clothing that not only allows them to perform their jobs efficiently but protects them from hazards. At the same time, they also need to appear professional to coworkers , customers, and visitors. Above all, clothing should be neat, unwrinkled, clean, and well-maintained.
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The style of costume worn throughout the Middle East has been remarkably constant for centuries. This is partly because it has evolved as one suited to the climate , serving as a protection against heat, dust, and blazing sunshine. The wearing of traditional clothing has also been accepted and supported by many Muslim countries. The traditional garments of the Middle East are loose-fitting and cover or even envelop much of the body.
The names of these garments vary from country to country, but the similarity between them is clear. Likewise the materials from which they were, and still are, made vary according to what is available. In general, linen, cotton, and wool are the norm, but the well-to-do have always worn garments made from rich fabrics with a silk base.
Several of the most famous of these materials originated in this area, including baldachin , the richly decorated fabric with a warp of gold thread and a weft of silk, named after the city of Baghdad, and damask , named after Damascus in Syria , the source of this richly patterned silk fabric.
A number of the traditional garments were originally derived from ancient cultures in the region, particularly from Persia Iran and farther east in India , Mongolia, and Asian Russia. The caftan is one such example. It is an open, coatlike garment, termed in ancient Persia a candys or kandys. Also worn extensively in the cooler climates of Mongolia and China , the style extended westward to become, eventually, the fashionable dolman of the late Ottoman Empire.
The spread of the characteristic costume of the Middle East was due in large part to the spread of Arab peoples and cultures. The people of the Arabian Desert were by the 6th century ce leading a stable, rural life in the border areas of Yemen, Syria, and Iraq; in the interior region they were largely Bedouin nomads raising camel herds for a living.
The chief garments worn at that time were a loose shirt , chemise , or robe; a draped cloak; wide, baggy trousers; and a head cloth or turban. Similar versions of these may still be seen on the streets of Cairo, Istanbul, or Damascus. The simple basic garment for both sexes was a loose, long shirt, chemise, or tunic, which often had long sleeves.
Over this men wore a robe or mantle of various types. It was traditionally made of heavy cream-coloured wool decorated with brightly coloured stripes or embroidery. A voluminous outer gown still worn throughout the Middle East in the Arab world is the jellaba , known as the jellabah in Tunisia, a jubbeh in Syria, a gallibiya in Egypt, or a dishdasha in Algeria.
The garment generally has wide, long sleeves, and the long skirt may be slit up the sides; some styles are open in front like a coat or caftan. Outer gowns or cloaks sometimes incorporated head coverings. These included the haik, which was an oblong piece of material generally striped that the Arabs used to wrap around their bodies and heads for day or night wear; the material measured about 18 feet by 6 feet 5.
A similar mantle was the burnous, a hooded garment also used for warmth day or night. The loose, baggy trousers traditional to the Middle East, as well as to the Balkans and Anatolia, are still widely worn by both sexes. The garment is believed to have originated in Persia, and it is presumed that the Arabs saw it there when they invaded that country in the 7th century.
The full, leg portion was tied at each ankle. A broad sash then encircled the waist, on top of the chalvar. Worn in this way the garment was ideal for working in the fields because it allowed freedom of movement and protected the lumbar region of the spine, especially while bending, from chills. For centuries the garment has also been adopted by men in the fighting forces. Cotton is the usual material for working attire, but fashionable ladies wear a chalvar made from a brocade or silk fabric over linen drawers.
The tradition for women to cover themselves from head to toe and veil their faces when they go out in public is an old one, predating Islam in Persia, Syria, and Anatolia. However, some modern regimes have insisted on the strict veiling of women in public. The enveloping cloaks worn by women for this purpose are similar to one another and often incorporate a mesh panel through which women may peer at the world outside.
The characteristic masculine Arab headdress has been the kaffiyeh. It is still worn today, although it may now accompany a business suit. Basically, the kaffiyeh is a square of cotton, linen, wool, or silk, either plain or patterned, that is folded into a triangle and placed upon the head so that one point falls on to each shoulder and the third down the back. It is held in place on the head by the agal igal , egal , a corded band decorated with beads or metallic threads.
Footwear was in the form of sandals, shoes, or boots, with the toes slightly turned up. Women traditionally wore decorative wooden pattens called kub-kobs to walk about in muddy unpaved streets.
In ce the Roman emperor Constantine I decided to rebuild the great city at Byzantium, then a Greek centre. The city was sited strategically on the Bosporus, whose narrow waters connecting the Mediterranean and the Black Sea acted as a gateway between West and East. Constantine called his city New Rome; it was later renamed Constantinople now Istanbul in his honour. After the collapse of the western part of the Roman Empire, which was based in Rome and later Ravenna , Constantinople became the capital city of the Christian-dominated Byzantine Empire , the extent of which fluctuated considerably until its collapse in Owing to the site of its capital city, the empire was subject to a complex of influences that were nowhere more marked than in the dress of its ruling classes.
Over the centuries there were two notable periods of wealth and prosperity that were reflected in costume. The first period was in the time of the emperor Justinian I , who reigned from to ce. Until this time the influence of Rome was still strong, and dress styles tended to be draped in the fashion of the later years of the empire. There were differences, however, derived in part from Persian and Anatolian designs, such as the use of sewn, closer-fitting garments and richer ornamentation and jewelry.
In addition, because of its success as a trade centre between East and West, the Byzantine Empire had become extremely wealthy. This wealth led to a costume of magnificent splendour that became the envy of the known world.
Luxury fabrics from Asia, Syria, and Egypt became available in quantity and were utilized, despite the high cost, by the leading members of society. The domestic textile industry was also stimulated. Its development was greatly aided by the introduction of sericulture into Constantinople. The Chinese had guarded secrets of the manufacture of silk for hundreds of years, but by about bce silkworm culture and silk manufacture had been established in northern India, and the knowledge later percolated through to Korea, Japan, Persia, and Central Asia.
Justinian had tried early in his reign to divert the silk trade from its route from Persia but without success. He was presented with a tremendous opportunity when two Persian monks, who had worked as missionaries in China and had studied the process of sericulture and the weaving of the filaments, agreed to smuggle this knowledge, as well as the necessary silkworm eggs, to Constantinople in exchange for a large monetary reward.
Silkworms flourished in Constantinople, and the authorities there, like the Chinese and others before them, guarded the secrets of the process and controlled their monopoly in Europe until, inevitably, in the early Middle Ages, the knowledge and means were once more disseminated , this time to Anatolia and Sicily and from there gradually to Italy and France. The use of these heavy lustrous fabrics gradually altered the style of dress; the stiff, ornate materials lent themselves to a simpler cut with only a few folds to break up the often allover, large-motif designs.
For both men and women a more fitted, sewn tunic, cinched at the waist by a richly decorated wide belt and hanging straight to knee or ankle, replaced the Roman draped tunica.
A rich, deep decorative collar, like the preceding Egyptian and Etruscan versions, covered the shoulders. The influence of the Christian church could be seen in the fact that the limbs were generally covered by long, usually fitted sleeves and cloth or silken hose. Cloaks, pinned at the shoulder, were worn outdoors. Imperial dress was characterized by the extensive use of purple and gold. Garments for the wealthy were vividly coloured in reds, yellows, and greens.
The second period of expansion and prosperity came between the 9th and 11th centuries. Court dress became richer than ever, encrusted with jeweled embroideries and dyed in deep colours, especially purples and reds. Imperial dress included a long panel of gold-embroidered material, which was wrapped around the body with the end hung over one arm.
The classical line had completely given place to an Eastern form of dress. For example, the caftan had been adopted as formal wear. Open down the centre front, this coatlike garment was shaped to fit at the back.
For both sexes the caftan was accompanied by trousers, not full like the Middle Eastern chalvar but more elegantly and closely cut, especially on the lower limbs where they were tucked into boot tops or worn over shoes. Byzantine dress strongly influenced that of eastern Europe, especially the Balkans and Russia.
Some of the bejeweled silk formal garments were gradually adopted by the church to become vestments in the Middle Ages. Men tended to prefer leather boots in footwear, black for normal use and red at court. Women sometimes wore sandals but more often were found in soft, ankle-height shoes, brightly coloured and embroidered.
Masculine hairstyles were short, and men were mostly clean-shaven. Outdoors they adopted the Phrygian cap or a hood. Women wore veils and often encased their long hair in a silk cap or a pearl net.
Elaborate jewelry was characteristic of all Byzantine dress of the upper classes. Perfume was liberally applied but cosmetics less so. Article Media. Info Print Print. Table Of Contents. Submit Feedback. Thank you for your feedback. Load Previous Page. The Middle East from the 6th century The style of costume worn throughout the Middle East has been remarkably constant for centuries.
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The rate at which little ones grow can mean buying them clothes feels like an endless task. With the washing machine on a constant cycle, it can be tempting to nip out and buy replacements instead. Sustainability can take many forms but here we consider it as reducing the environmental impact of production processes, cutting out harmful chemicals used to make clothes, and ensuring ethical guidelines are in place when it comes to safe working practices in factories, a fair wage and so on. For mums and dads, sustainability means quality too. It means buying long-lasting, robust clothes for kids, with the potential to be handed down to future siblings. Top of the list for new parents and parents-to-be, though, is often the fabrics used; the safest and softest materials possible to protect delicate newborn skin.
Traditional Basque costumes
What did the Arts and Crafts movement offer the world of fashion? Not only craft production, natural motifs and a new style of jewellery but also a more modern template for women's clothes. The Arts and Crafts movement was driven more by a belief in a set of principles, than by developing a particular style. But this didn't mean that it had no influence on the world of fashion. Between the late 19th and early 20th century, Arts and Crafts practitioners produced a range of striking designs for women's garments, accessories and jewellery, as well as supporting the continuation of craft-based industries, and the development of the Dress Reform Movement. Craft production Supporting traditional, handmade production was a central Arts and Crafts principle.
Fashion & Dress in Ancient Egypt
The style of costume worn throughout the Middle East has been remarkably constant for centuries. This is partly because it has evolved as one suited to the climate , serving as a protection against heat, dust, and blazing sunshine. The wearing of traditional clothing has also been accepted and supported by many Muslim countries. The traditional garments of the Middle East are loose-fitting and cover or even envelop much of the body. The names of these garments vary from country to country, but the similarity between them is clear. Likewise the materials from which they were, and still are, made vary according to what is available. In general, linen, cotton, and wool are the norm, but the well-to-do have always worn garments made from rich fabrics with a silk base.SEE VIDEO BY TOPIC: HOW AN IRIS VAN HERPEN HAUTE COUTURE GOWN IS MADE - One Look: The Anatomy
Instead, there is a wide array of garments whose features vary greatly depending on age, gender or area, even within a single Historical Territory. About a century ago, the typical outfits worn by peasants, fishermen or workers with little change for years began to disappear. With the arrival of industrialisation, clothes were made in manufacturing plants at lower prices, so virtually everyone could buy ready-made clothing. The young members of the family left the baserris traditional farmhouses to work in industrial factories and began wearing streetwear in urban environments, leaving traditions aside. The elderly still wore traditional clothing but the youth adopted a new way of dressing. Thus, the rural areas and the baserritarras baserri dwellers became the guardians of the Basque traditional cultural heritage. Their costumes were symbols of values that were vanishing and represented what has come to be known as the traditional Basque outfit.
Your Company's objective in establishing a casual dress code is to allow your employees to work comfortably. Yet, employees still need to project a professional image for customers and clients. Because all casual clothing is not suitable for the workplace, these guidelines will help you determine what is appropriate workplace attire.
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In CE, a woman named Amelia Bloomer in the United States shocked the establishment by announcing in her publication The Lily that she had adopted the "Turkish Dress" for daily wear and, further, provided readers with instructions to make their own. This "Turkish dress" was a pair of light-weight pants worn under a dress which dispensed with the heavy petticoats and undergarments which constituted women 's fashion. At the time of Bloomer's announcement, upper-class women were wearing dresses comprised of as many as 16 petticoats, which were quite heavy, and those of the lower classes were almost equally constrained. These 'Turkish' pants which came to be known as 'bloomers' emancipated women from the constraints of fashion, allowing them freedom of movement, and became one of the symbols of the new women's suffrage movement. The Women's Suffrage Movement had only just met to issue their Declaration of Rights and Sentiments, written by Elizabeth Cady Stanton, in CE at Seneca Falls, NY, and Bloomer's advocacy of the new style was embraced by one of the pivotal figures of the movement, Lucy Stone, who wore the pants during her lectures on women's rights. It was Lucy Stone who would encourage Susan B. Anthony to take up the cause of the women's suffrage movement and Anthony, of course, is now synonymous with women's rights. All of these challenges to the patriarchy of the 19th century CE were quite disturbing, to women as well as men, but they would have been nothing startling to the ancient Egyptians who viewed women as equals and whose fashion sense was nearly unisex long before that word, or concept, was understood by the more 'advanced' culture of the present day. Egyptian fashion was practical, simple, and, for most of the population, the same kind of outfit worn by a woman was worn by a man. The upper-class women in the Old Kingdom of Egypt c.
Custom Made Costumes
United States. Bureau of the Census. Meat products 20A1 2 Cigarettes 21A1. Proprietors and working partners number. Meat packing plants 21 21 Cigars 21Al. Fabricated textiles nec 23E1. Logging camps and contractors 24A1.
How Arts and Crafts influenced fashion
The intelligence of the hand, the imagination of the mind. Hand down knowledge for several generations.
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